Meet Our Tutors

Dianne Emery

Born in the UK, Dianne attended the National Gallery of Victoria, School of Art before teaching Art at tertiary TAFE and High School levels. She discovered her interest in Botanical Art whilst studying Horticulture at Burnley Horticulture College. Dianne has been painting and exhibiting since the early 1990’s when her background in Fine Art and interests in Botany and Horticulture combined to direct her into a new career!

She has won the Celia Rosser medal for excellence in Botanical Art three times, in 2002,2004 and 2016. Her work can be found in private and public collections in Australia and overseas, including The Hunt Institute of Botanical Documentation, Pittsburgh, PA, USA, Ballarat Regional Gallery, City of Melbourne Collection, Esso, and The State Botanical Collection at the National Herbarium of Victoria.

Dianne currently works for The Friends of the Royal Botanic Gardens Melbourne, where she has been running workshops and classes since 1996. She also regularly conducts Botanical and Natural History painting workshops in regional Victoria and interstate.

Helen Y Burrows 

A professional Graphic Designer, Helen has also worked in both secondary and tertiary education sectors teaching Art and lecturing in Design and Graphic Communication. 

Helen’s botanical watercolour illustrations are represented in the Victorian National Herbarium collection, The Government House Florilegium Project, The National Library of Australia, The Illustrated Garden Collection (Friends of the Royal Botanic Gardens), The Huntington Library (California), The Hunt Institute of the Carnegie Mellon University (Pennsylvania), The Lindley Library Royal Horticultural Society (London), The Botanical Garden and Botanical Museum of Berlin-Dahlem, The Missouri Botanical Garden Library and Herbarium Library of the Royal Botanic Gardens, Kew.

Her work is also held in the permanent collection of The Hunt Institute as well as in galleries and private collections throughout Australia and overseas. Helen has also completed three volumes of Camellias in limited edition.

With a background in adult educational training, Helen`s pedagogical theory is to deliver instructional strategies that create the best learning experience for both beginners and advanced students. Her curriculum, through personalised designed workshops, encourages students to experience and embrace the beauty and intricacies of nature in its many forms.

http://www.burrowsbotanicals.org/

David Reynolds

David is an experienced botanical and natural history artist and teacher. He enjoys painting in rich natural pigments, always looking to achieve a high level of accuracy within his work. David relies heavily on a combination of good composition, tone and light to achieve a high level of detail of his chosen subject.

 His background is in commercial art, graphic design, photography and multimedia. The skills developed in these areas have given him an appreciation for colour, composition and aesthetics.  David paints using watercolour and finds the medium exciting and vibrant with its beautiful rich colours and its ‘sometimes unpredictable’ nature. He describes his style as ‘Accurate Realism’ and is always looking to portray his botanical and wildlife subjects with the most accurate detail possible yet doing it in a ‘painterly’ way honouring the watercolour medium.

 As part of Australia’s contribution to the World Wide Botanical Art Exhibition held in Canberra in May 2018, David had two Banksia paintings represented – Banksia integrifolia and Banksia serrata.

 www.davidreynoldsart.com.au

Mali Moir

Mali Moir began her career as a botanical artist in 1993 at the National Herbarium of Victoria. Combining botanical and horticultural knowledge with artistic skills, Mali has contributed pen and ink drawings for Flora of Victoria, Flora of Australia, Mulleria and other scientific publications.

Working closely with botanists in this area, Mali understands the importance of scientific accuracy, the fundamentals of precise measurement and thorough depiction of detail. She teaches botanical illustration in association with the Friends of the Royal Botanic Gardens Melbourne, at private art groups and conducts workshops in Victoria, interstate and overseas. 

Mali was awarded a Gold Medal by The Royal Horticultural Society London and was an invited exhibitor at the Hunt Institute for Botanical Documentation USA. She is a recipient of the inaugural Celia Rosser Medal and been twice a finalist in the Waterhouse Art Prize. Mali was the first Australian to receive the Focus On Nature Purchase Award by New York State Museum USA. In 2009 Mali received a Highly Commended Award, ‘Margaret Flockton Art Prize’, RBG Sydney.

She exhibits widely in Australia and internationally and has produced many works for private, public and corporate collections.
Mali has great interest in working in the area of conservation and was proud to donate a painting for a charity auction ‘Name a New Species of Shrimp’ held by Australian Marine Conservation Society in association with Museum Victoria. Mali also contributes to ‘Art for Sharks’ with AMCS, evidence of her sincere belief, inspired by a comment by John Wolseley, that “artists make science visible”.

Mali has a keen interest in the artistic interpretation of natural history themes. She approaches her work with traditional techniques whilst developing a fresh contemporary look. Mali executes works on paper with the consummate skill of a dedicated artist as she combines her fascination for science and nature with an active desire to render works of art with beauty, character and scientific merit.

John Pastoriza-Piñol

John is a contemporary artist based in Melbourne Australia and very much a neo-conservative a rebel as he works in the mode of botanical painting, long considered pure documentation and unconcerned with any social context. His practice departs from the precise discipline of Naturalism and continues to investigate not just pure dichotomies such as man and nature, science and art but their complex and dynamic interrelationships.

A visual and emotional duality is an overarching theme as his paintings inhabit a territory somewhere between scientific analysis and symbolic realism. The hyper-representation of the natural world is documented in such a way it creates a new contemporary reality.  It is a commitment to painting as both a method and as a form of deeper inspection. Each work is created masterfully as great attention is given to detail through exquisite painterly skills and ultimately reaches a greater audience.

Being a recipient of many awards and accolades has afforded him international recognition as one of Australia’s foremost contemporary botanical artists. His work is now held in numerous public and private collections around the world including: Art Gallery of Ballarat, Hunt Institute, USA; Royal Botanic Gardens, Kew, UK; Royal Botanic Gardens, Melbourne; RMIT University and the Collection of Alisa and Isaac M. Sutton, to name a few.

His work is included in both the ‘Highgrove Florilegium’ and ‘Transylvania Florilegium’, projects created under the aegis of the H.R.H Prince of Wales’ Charitable Foundation. In 2016 John was awarded a grant from The Australia Council for the Arts and he is currently represented by Scott Livesey Galleries, Australia